FAR 110: Introduction to Film

Course Description

This course will focus on learning how to watch films actively and critically. Through a study of American films, students will acquire a working knowledge of American film history from the silent era, recognize and use the basic technical and critical vocabulary of motion pictures, understand how the technology of the cinema relates to film art, and enhance their ability to think, speak, and write critically in an increasingly visual and technological culture. (3 credits)

Prerequisite

  • None

Student Learning Outcomes (SLOs)

Students who successfully complete this course will be able to:

  1. Discuss visual strategies of film analysis and film making by focusing on the four categories of camera movement (cinematography), sound, editing, and mise-en-scene.
  2. Analzye the beginnings of Hollywood narratives, the contrasting work of the Film School Generation and counterculture of independent filmmaking in the United States.
  3. Define and discuss different traditions in American Cinema.
  4. Respond to movies in a more reflective and critical way after completing this course.

Course Activities and Grading

AssignmentsWeights

Discussion Board Postings (Weeks 1-8 @ 40 points)

35%

Short Responses (Weeks 1, 3, 4 & 5 @ 20 points)

15%

Research Paper Proposal (Week 2)

5%

Film Review Essay (Week 6)

20%

Research Paper (Week 7)

25%

Total

100%

Required Textbook

  • This course uses Open Educational Resources (OER). OER are openly licensed, educational resources that can be used for teaching, learning and research. OER may consist of a variety of resources such as textbooks, videos and software that are no cost for students.

Additional Resources

  • Students are expected to watch at least two movies each week (except for week one). Students will be able to use the films from a specific week’s unit. Students are expected to seek access to films either via their public library, free streaming sites like Tubi, subscription services like Netflix, video stores, and/or pay for one-time rentals via Amazon.com, I-Tunes, or similar.
  • Moss, Y. and Wilson, C. (2024). Film Appreciation (2024 Edition). University of North Georgia; Affordable Learning Georgia. https://alg.manifoldapp.org/projects/film-appreciation

Course Schedule

WeekSLOsReadings and ExercisesAssignments

1

1-4

Topic: The Emergence of Cinema

  • How does Hollywood filmmaking work and how did it come into being? The Emergence of Cinema as an Institution.

Readings:

  • Film Appreciation: Chapter 1 (pages 1-18)

Videos:

  • The Invention of Cinema
  • The Great Train Robbery (1903)
  • Life of an American Fireman (1903)
  • Trip to the Moon (1902)
  • Read assigned chapters
  • Participate in the Discussions
  • Watch three movies
  • Submit short response

2

1-4

Topics: The Studio and the Star System

  • The mechanics of stardom. Stars and culture.
  • Manufacturing of dreams. The majors and minors. The studio style.

Readings:

  • Read Articles on Star and Studio System

Videos:

  • Documentary videos - Watch both of the following Annenberg Learner videos.
  • Read assigned chapters
  • Participate in the Discussions
  • Watch two movies
  • Submit paper topic proposal

3

1-4

Topic: Classical Hollywood Cinema: Narration

  •  Film form and character development. Ways to analysis film according to the mise-en-scene, camera work, sound and editing.
  • What is the Hollywood style?

Readings:

  • Film Appreciation: Narration and Three-Act Structure, Book Pages 28-32

Videos:

  • Watch Annenberg Learner video on Hollywood Style
  • Watch One Video - 
    • Roman Holiday (1953)
    • Red River (1948)
    • Casablanca (1942)
  • Read assigned chapters
  • Participate in the Discussions
  • Watch two movies
  • Submit short response

4

1-4

Topics: A Postwar History: Hollywood, The Cold War, and The Age of Television

  • Communism, Hollywood and the American Way
  • The big decline: Hollywood loses its audience

Readings:

  • The History of America and Russia’s Cinematic Cold War

Videos:

  • Watch Annenberg Learner video on Film in the Television Age
  • Watch One Video - 
    • Invasion of the Body Snatchers(1956)
    • The Manchurian Candidate (1962)
    • Oklahoma (1955) 
  • Read assigned chapters
  • Participate in the Discussions
  • Watch two movies
  • Submit short response

5

1-4

Topic: The 1960’s and 70’s: The Counterculture Strikes Back and The Film School Generation

  • The mechanics of stardom. Stars and culture. Blockbusters.

Readings:

  • How Heaven’s Gate Killed 1970s Hollywood

Videos:

  • Watch Anenberg Learner video on The Film School Generation
  • Watch One Video -
    • American Grafitti (Lucas, 1973)
    • The Conversation (Coppola, 1974)
    • Taxi Driver (1976)
    • Jaws (1975) 
  • Read assigned chapters
  • Participate in the Discussions
  • Watch two movies
  • Submit short response

6

1-4

Topic: Film Noir: Somewhere in the Night and The American Comedy

  • Film Noir: genre, series or mode? Noir aesthetics. Noir and the production code. Women in film noir.
  • Comedy, repression and cultural dreamwork. A short history of the America screen comedy.

Readings:

  • Notebook Primer essays on Noir / Screwball Comedy (depending your genre choice).
  • Representation of Women in Film Noir (for students who choose Noir)

Videos:

  • Watch Annenberg Learner video associated with your genre choice
  • Watch One Video -
    • Film Noir:
      • Double Indemnity (1944)
      • Chinatown (Neo-Noir; Polanski 1974)
      • Out of the Past (Jacques Tourneur, 1947)
      • Devil in a Blue Dress (1995, Franklin)
    • Comedy:
      • What's Up Doc? (1972)
      • It Happened One Night (1934)
      • Arthur (1981)
      • His Girl Friday (1940)
  • Read assigned chapters
  • Participate in the Discussions
  • Watch two movies
  • Submit Film Review

7

1-4

Topic: The Independent Film

  • Filmmakers working outside the studio. “Independent” films made by the studios

Readings:

  • Film Form and Narrative essay

Videos:

  • Watch Annenberg Learner video “Edge of Hollywood”
  • Daughters of the Dust (Julie Dash, 1991)
  • Ulee’s Gold (Nuñez, 1993)
  • Desperately Seeking Susan (Siedelman, 1985)
  • Wendy and Lucy (Reichardt, 2008)
  • Read assigned chapters
  • Participate in the Discussions
  • Watch two movies
  • Submit research paper

8

1-4

Topic: Into the 21st Century

  • Film and social media.
  • The digitization of cinema. Current film trends.

Readings:

  • Paranormal Activity: A Horror Phenomenon Are Digital Effects Ruining the Movies?
  • Why Filmmakers Should Focus More on Storytelling, Not CGI

Videos:

  • Read assigned chapters
  • Participate in the Discussions
  • Watch two movies
  • Complete Course Evaluation

COSC Accessibility Statement

Charter Oak State College encourages students with disabilities, including non-visible disabilities such as chronic diseases, learning disabilities, head injury, attention deficit/hyperactive disorder, or psychiatric disabilities, to discuss appropriate accommodations with the Office of Accessibility Services at OAS@charteroak.edu.

COSC Policies, Course Policies, Academic Support Services and Resources

Students are responsible for knowing all Charter Oak State College (COSC) institutional policies, course-specific policies, procedures, and available academic support services and resources. Please see COSC Policies for COSC institutional policies, and see also specific policies related to this course. See COSC Resources for information regarding available academic support services and resources.